Database
Who, If Not Us? Fighting for Democracy in Belarus
The documentary provides a unique glimpse into the struggle for democracy in Belarus and the lives of three women after the major protests of 2020.
Who Is Missing Today?
A documentary about closeness to nature, hidden dramas, and disappearing birds.
Who Killed Natasha?
Grozny, the capital city of Chechnya, 15 July 2009. Natasha Estemirova, a journalist and human rights activist, never made it to a meeting scheduled that day. The life of this fearless woman was ended by a bullet from a…
The Whole World Is a Narrow Bridge
Jossi Steiner, as a little boy, was running from deportations not knowing if he would ever see the light of the next day. After the war he moved to Israel and learned what it was like to live as a free man. He lived in…
Who owns my village?
After the unification of Germany, the popular holiday destination of the Island of Rügen (formerly a part of East Germany) began to lure investors. Will the village of Göhren become a commercial resort with limited…
Who Owns the East?
Businesses, homes, forest, farmland – all this was once declared public property by the GDR. After the fall of the Wall, an entire country was up for sale. Who owns what in the East?
Whore
"Let the people know how I live." The story of a prostitute on suburban streets. With policeman, social worker, priest, pimp and drug dealer. About her mother's death, miracles, rape and many dirty stories.
Who's Afraid of Europe? How the EU Came to Poland
Poland, April 2004. Just a few days before Poland is scheduled to join the EU. In a small village on the border to the Ukraine life goes on as usual: farmers till the soil, milk and lead their cows to pasture. All have…
Who's Afraid of Nathan Law?
Joe Piscatella’s 2017 film Joshua: Teenager vs. Superpower focused on Joshua Wong, a student who became one of the main faces of the Umbrella Revolution in Hong Kong. In his new documentary, Piscatella turns the camera…
Who's Afraid Of RGB
Another contribution of this authoress to the reflection of genre films, this time dealing with romantic melodrama, confronts the expressive character of the film medium with the viewers’ perception in radical…